论青花艺术中的水墨表现  

On the Expression of Ink Painting in Blue and White Art

作　　者：张佳奇 Zhang Jiaqi(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第3期74-76,共3页Ceramics

摘　　要：青花作为陶瓷绘画中最能与水墨相互交融的一种陶瓷艺术,经历了从元、明、清直到现代漫长的发展历史而经久不衰。笔者以青花水墨为主,从水墨画与青花的概念特点出发,阐述水墨与青花艺术在材料工具、艺术形式以及工艺性和构图形式中所包含的相似性与差异性,然后再从不同青花艺术作品中分析水墨画在青花艺术中的影响与运用,从而指出青花艺术中具备水墨画的许多特性,可以说是以水墨的艺术表现展示着青花的韵味。As a kind of ceramic art that can best blend with ink and wash in ceramic painting,blue and white has experienced a long history of development from the Yuan,Ming,Qing and Qing dynasties to modern times.Based on the conceptual characteristics of ink painting and blue and white painting,this paper expounds the similarities and differences between ink and blue art in terms of material tools,art forms,craftsmanship and compositional forms,and then analyzes the influence and application of ink painting in blue and white art in different blue and white art works,so as to point out that blue and white art has many characteristics of ink painting,which can be said to show the charm of blue and white art with the artistic expression of ink painting.

关 键 词：水墨画 青花艺术 艺术表现 

分 类 号：TQ174.74[化学工程—陶瓷工业]