元明杂剧中的“酒色财气”情节模式  

The Greed of"Wine,Sex,Wealth and Rage"Plot of Zaju in Yuan and Ming Dynasties

作　　者：周津薇 ZHOU Jinwei(College of Ocean Culture and Law,Jimei University,Jimei Xiamen 361000,China)

机构地区：[1]集美大学海洋文化与法律学院,福建厦门361000

出　　处：《盐城工学院学报（社会科学版）》2024年第1期69-73,共5页Journal of Yancheng Institute of Technology（Social Science Edition）

基　　金：教育部人文社会科学研究青年基金项目(18YJC751010)。

摘　　要：元代近十部杂剧作品中都出现了用“酒色财气”对剧中人物进行试探的情节,该情节被元代及之后的戏曲家沿用,逐渐形成了一个固定的情节模式。这一情节模式可起到塑造人物形象、丰富故事情节、突出主题和表达剧作家情感的作用。在宗教信仰、社会风气、作家境遇等多重因素的影响下,这种模式在元代出现得最为频繁,到了明代就逐渐减少,直至清代完全消失。In nearly ten dramas of the Yuan Dynasty,the plot of"wine,sex,wealth and rage"was used to test the characters in the drama,which was followed by the dramatists of the Yuan Dynasty and later,and gradually formed a fixed plot pattern.This plot mode can play a role in shaping the characters,enriching the plot,highlighting the theme and expressing the playwright's feelings.Under the influence of multiple factors,such as religious belief,social atmosphere and writers'circumstances,this pattern appeared most frequently in the Yuan Dynasty,and gradually decreased in the Ming Dynasty,until the Qing Dynasty completely disappeared.

关 键 词：酒色财气 情节模式 神仙道化剧 

分 类 号：I237[文学—中国文学]