赋笔与朱有燉杂剧的新变及启示  

Drawing Lessons from Ci Fu:New Changes and Enlightenment in the Zhu Youdun's Poetic Dramas

作　　者：刘竞 Liu Jing

机构地区：[1]广东技术师范大学文学与传媒学院

出　　处：《中国社会科学院大学学报》2024年第1期67-79,134,共14页Journal of University of Chinese Academy of Social Sciences

基　　金：广东省哲学社会科学规划项目“复古思潮与明代戏曲体制演进”(GD20XZW07)的阶段性成果。

摘　　要：朱有燉在杂剧创作中广泛借鉴了辞赋的写作技巧与理念,丰富了杂剧的艺术手法,对杂剧的文体功能进行了有效拓展,促使明初杂剧出现了新变。他使用辞赋中的铺排等手段,使其杂剧在文辞与排场上取得了很大进步,开启明代杂剧文采潮流之先河,为明代杂剧树立时代特色打下了基础。他借鉴辞赋润色鸿业、劝百讽一的创作理念,用杂剧展现了明代社会上升期的精神面貌,使明杂剧在内在精神上与元杂剧迥异。朱有燉运用赋笔在其杂剧中展现出的恣意自适的创作态度与文人情调,使其成为明代杂剧向文人化演进过程中不可忽视的重要人物。Zhu Youdun extensively drew upon the writing techniques and concepts of Ci Fu in the creation of his dramatic works,enriching the artistic methods of the genre and effectively expanding the literary functions of poetic drama,leading to new developments in poetic drama during the early Ming Dynasty.By employing the techniques of arrangement and presentation from Ci Fu,he enabled significant progress in the literary style and spectacle of poetic drama,paving the way for the flourishing of literary trends in Ming Dynasty poetic drama and laying the foundation for establishing the era-specific characteristics of Ming poetic drama.Drawing inspiration from Ci Fu's concept of refining grand undertakings and admonishing the masses,he used poetic drama to showcase the spiritual outlook of the ascending period of Ming society,setting Ming poetic drama apart from Yuan poetic drama in its intrinsic spirit.Zhu Youdun's use of the techniques of Ci Fu in his poetic dramas demonstrates a creative attitude of unrestrained self-expression and literary sentiment,making it an indispensable and crucial element in the evolution of Ming poetic drama towards literary refinement.

关 键 词：朱有燉 杂剧 辞赋 新变 

分 类 号：I207.37[文学—中国文学]