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作 者:唐小媛 TANG Xiaoyuan(Faculty of Liberal Arts,Northwest University,Xi’an,Shaanxi 710127,China)
出 处:《开封文化艺术职业学院学报》2024年第1期39-44,共6页Journal of Kaifeng Vocational College of Culture & Art
基 金:2023年陕西省社科基金重点项目“‘陕西古代文献集成’子项目‘《藿议》整理’”阶段性研究成果之一(SG17001·集162)。
摘 要:“宗经”是中国古代文学批评中的一条重要原则。原道、征圣、宗经这一理论路径自刘勰在《文心雕龙》中正式确立后,对后世产生了深远影响。《文则》和《文章精义》是宋代理论性文话的代表著作,体现了宋代古文批评家在文章学体系构建和理论总结方面所作出的努力。两书中的宗经观,在经典与道的关系方面呈现出一致性,认为经典与道合一;而在经典与文的关系方面体现出差异性,其中《文则》侧重分析经典的艺术特性,《文章精义》侧重挖掘经典的精神内涵。二者在各自侧重的方向上进行了深入研究,共同论述了宗经观的内涵。宗经观在宋代文话中的基本成熟,以及由此展开的文话理论建构,也是文章学在宋代成立的一个重要标志。“Zong Jing”(worshipping canons)is an important principle in ancient Chinese literary criticism.The theoretical path of the original way,the acquisition of the holy and“Zong Jing”(worshipping canons)has had a profound influence on the later generations since it was formally established by Liu Xie in Wen Xin Diao Long.Wen Ze and Wen Zhang Jing Yi are the representative works of theoretical prose in the Song Dynasty,which reflect the efforts made by the critics of ancient prose in the Song Dynasty in the construction of the system of article theory and theoretical summary.In the two books,there is consistency in the relationship between the classics and the Tao,which considers the two as one.However,there are some differences in the relation ship between classics and literature,which are embodied in the analysis of the artistic characteristics of classics in Wen Ze and the exploration of the spiritual connotation of classics in Wen Zhang Jing Yi.Both of them have their own emphasis,and carry out in-depth research in their respective directions,and jointly discuss the connotation of“Zong Jing”(worshipping canons).The basic maturity of“Zong Jing”(worshipping canons)in the Song Dynasty and the construction of the theory are also an important symbol of the literary establishment of article theory in the Song Dynasty.
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