人民美学:融媒时代文艺发展的新形态  

Aesthetics for the People:A New Formation for the Development of Literature and Art in the Age of Fusion Media

作　　者：杨杰[1] 王淑月 Yang Jie;Wang Shuyue

机构地区：[1]中国传媒大学艺术研究院,北京100024 [2]中国传媒大学人文学院,北京100024

出　　处：《南京社会科学》2024年第3期123-130,共8页Nanjing Journal of Social Sciences

基　　金：国家社科基金艺术学重点项目“融媒时代文艺评论的话语阐释与公共空间构建项目”(23AA002);中央高校基本科研业务经费资助项目“中国式现代化视野下文艺与人民的关系研究”(CUC230D029)的阶段性成果。

摘　　要：人民美学范畴的诞生是中国式文艺现代化发展的历史与逻辑必然,是新时代马克思主义文艺理论“美学观点与历史观点”相统一的时代化、中国化崭新成果。人民美学是融媒时代人民全方位、沉浸式参与的“人民的美学化呈现”与“美学的人民化表达”双向建构的文艺新形态,具有人民主体的在场性、文艺理念的媒介性、艺术表现的技术性特质,表现为与Sora、Claude3、AIGC等人工智能技术的迅捷、深度融合,展现出新时代人民文艺生产主体的一元与多元、文艺传播的互动与融通、文艺接受的主动与再创造的未来发展态势。The birth of the category of"aesthetics for the people"is the inevitable result of the history and logic of the modernization of Chinese literature and art,and is the concrete presentation of the modernization and sinicization of the unification of"aesthetic viewpoints and historical viewpoints"of the new era of Marxist literature and art theory."Aesthetics for the people"means a new form of literature and art in the era of converging media,which is a two-way construction of"people's aesthetics are presented"and"aesthetics are expressed by the people"with people's allround and immersive participation.It has the qualities of the presence of the people's subject,the medium of literary concepts,and the technology of artistic expression,which is manifested in the swift and in-depth fusion with the artificial intelligence technologies such as Sora,Claude3,and AIGC,and demonstrates the future development of the new era in which the people's main body of literary production involves both unity and plurality,the dissemination of literature is interactive and fusion,and acceptance of literary is proactive and re-creative.

关 键 词：融媒时代 人民美学 媒介化 互动性 

分 类 号：I021[文学—文学理论]