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作 者:刘中文[1] LIU Zhongwen(Academic Journal Center,Suzhou Vocational University,Suzhou 215104,China)
机构地区:[1]苏州市职业大学学术期刊中心,江苏苏州215104
出 处:《苏州教育学院学报》2024年第1期11-23,共13页Journal of Suzhou College of Education
基 金:国家社会科学基金重大项目(17ZDA252)。
摘 要:现存陶渊明作品中,《五孝传》《四八目》《归园田居·其六》《问来使》《四时诗》《桃花源诗》《读史述九章》《扇上画赞》这八篇为存疑之作。现存的宋代四种陶集对存疑诸作有不同的质疑,宋代以来的学者对陶公存疑之作亦不断地挖掘证据,旁搜远绍,以证其伪,以致学界争辩至今不息,现行主要点校本陶集对存疑之作亦各有取舍,辑录不一。陶公作品的证伪是陶渊明研究中的重要问题,有必要理清这一学术的脉络并辨析诸家论证之得失。Among the existing works attributed to Tao Yuanming,there are eight pieces that are considered unverified,namely,Wu XiaoZhuan,SiBaMu,Returning to the Farm(No.6),Questioning the Messenger,Poems of the Four Seasons,The Peach Blossom Spring Poems,Nine Chapters on Reading History,and Praise on the Fan.The earliest Song Dynasty editions of“Tao Yuanming Collection”raised various questions about these unverified works.Scholars since the Song Dynasty have continuously sought evidence,both near and far,to verify their authenticity,leading to ongoing debates in academia.The main annotated editions of“Tao Yuanming Collection”currently in circulation also vary in their inclusion or exclusion of these unverified works.The authentication of Tao Yuanming’s works is an important issue in Tao Yuanming studies,and it is necessary to clarify the academic contexts,and analyze the strengths and weaknesses of various scholarly arguments.
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