论中国古代文艺的“出新意”与“寄妙理”  

“Novelty”and“Ingenuity”in Ancient Chinese Art and Literature

作　　者：郑倩茹 ZHENG Qianru

机构地区：[1]宁夏大学文学院,银川750021

出　　处：《上海交通大学学报（哲学社会科学版）》2024年第3期131-142,共12页Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“全宋词人年谱、行实考”(17ZDA255)。

摘　　要：文艺创新是人类文化活动的必然要求与基本规律。出“新意”寓“妙理”,成为评论文艺的重要标准与指导实践的金玉良言。中国古代将音乐与诗歌作为兴邦治国的重要手段,具有鲜明的艺术创新性与深刻的人文内涵。汉字书法被视为“心画”“心学”的“玄妙之伎”,在善于变化的艺术技能中蕴含着丰富的思想智慧。古代视“画”为“圣”,绘画乃“道之质”“德之文”,“类万物之情”,可“成教化、助人伦”,以技法创新传达事理人情。中国古代文艺注重思想情感性与艺术审美性,强调艺术表现的创新与化育人心的效果,在体现浓厚时代政教色彩和积极向上人文精神的同时,也呈现出“专、精、深”与“新、达、妙”的艺术境界。The pursuit of artistic innovation has been a fundamental principle of human cultural activities throughout history.“Novelty”and“ingenuity”has become an important standard for commenting on art and literature,and a valuable guide to practical activities.In ancient China,music and poetry were regarded as important means of promoting national prosperity and governance,with distinct artistic innovation and profound humanistic connotations,while Chinese calligraphy was regarded as the“mysterious skill”of“art and study of the heart”,containing rich ideological wisdom in its adeptness at changing artistic skills.In ancient times,“painting”was considered“holy”,embodying the“essence of the Tao”,the“literary character of virtue,”and“reflecting the emotions of all things,”which could“teach and enlighten,and help people and society.”Painting conveys principles and human emotions through innovative artistic techniques.Ancient Chinese art and literature emphasized the fusion of ideological and emotional depth with aesthetic value,highlighting the innovative artistic expressions and the nurturing effect on people s hearts.While reflecting a strong political and religious color of the times and a positive humanistic spirit,it also presents an artistic realm of“specialization,refinement,depth”and“novelty,expressiveness,and ingenuity.”

关 键 词：中国古代 文艺概念 人文内涵 以人为本 尊道贵德 

分 类 号：I206.2[文学—中国文学] J120.9[艺术—艺术理论]