苏轼诗中的“人”意象及其文化意蕴  

The Imagery of“Human”and its Cultural Implication in Su Shi’s Poems

作　　者：王素美[1] 王献峰 WANG Sumei;WANG Xianfeng(College of humanities,Hebei University,Baoding 071002,China;school of Humanities and Arts,Hunan University of Finance and Economics,Changsha 410000,China)

机构地区：[1]河北大学人文学院,河北保定071002 [2]湖南财政经济学院人文与艺术学院,湖南长沙410000

出　　处：《湖州师范学院学报》2024年第3期60-65,共6页Journal of Huzhou University

摘　　要：通览苏诗,可以发现“人”意象成为苏诗一个蔚为大观、具有独特艺术品质的意象集群。这些“人”意象根据组群的不同大体可分为“有人”和“无人”意象,仙人、道人、佛人意象,以及古人与今人、舟人与游人等其他意象,苏诗中的大量“人”意象集群的出现既有对前人意象的承继,也与其儒释道交融的思想密切相关,是其哲学思辨下美学意蕴的生动体现,融哲思与诗意于一体。It can be found that the imagery of“people”has become a magnificent and unique artistic cluster of imagery in Su Shi’s poetry.Based on different groups these“human”images can be roughly divided into“human”and“unmanned”images,the imagery of immortals,Daoists,Budd has,as well as other imagery such as ancient and modern people,boatmen and tourists.The emergence of a large number of“human”image clusters in Su Shi's poems is related not only to the inheritance of previous images,but also closely to his thoughts on the integration of Confucianism,Buddhism,and Taoism.It is a vivid reflection of his aesthetic implications under dialectical philosophical thinking,a combination of philosophical thinking and poetry.

关 键 词：苏轼 意象 诗学审美 儒释道思想 

分 类 号：K810[历史地理—历史学]