论《庄子》表述方式的艺术性——以死生观为例  

On the Artistry of the Presentation of Zhuangzi——Taking the Concept of Death and Life as an Example

作　　者：顾小青 Gu Xiaoqing

机构地区：[1]复旦大学哲学学院

出　　处：《理论界》2024年第3期72-78,共7页Theory Horizon

摘　　要：《庄子》对隐喻意象的妙用,迥异于概念分析的客观指涉,其本身就具有极丰富的研究价值。本文尝试立足于文本背后的隐喻意象,探究其死生观的表述方式,即如何通过引动主体对死的切身体知感,而非选择纯粹抽象的析理方式旁观,从而建构丰富具象的艺术性思维,并通过不断唤醒主体的存在共识,体贴“死生”意涵的艺术价值。Zhuangzi's wonderful use of metaphorical imagery,which is quite different from the objective references of conceptual analysis,has a rich research value in itself.This paper tries to base on the metaphorical imagery behind the text to explore the expression of the concept of life and death,that is,how to construct a richly figurative artistic thinking by inducing the subject's body-cutting knowledge of death instead of choosing a purely abstract way of analysis to watch the analysis of death;and through constantly awakening the subject's existential consensus,to realize the artistic value of the connotation of"life and death".and by constantly awakening the subject's existential consensus,the artistic value of the connotation of"death and life"is realized.

关 键 词：庄子 死生 隐喻意象 

分 类 号：I206[文学—中国文学]