辽西民间布老虎视觉造型参与式设计  

WESTERN LIAONING REGION FOLK CLOTH TIGER VISUAL MODELING PARTICIPATORY DESIGN

作　　者：耿阳[1] 孙世瑶 GENG YANG;SUN SHIYAO

机构地区：[1]大连理工大学建筑与艺术学院

出　　处：《设计》2024年第7期33-35,共3页Design

基　　金：辽宁省兴辽英才青年拔尖人才基金“乡村振兴战略下辽南少数民族手工艺创新性传承研究”(XYLC2007160)阶段性研究成果;教育部社会科学重大研究课题“马克思主义美学话语体系的历史演变和范式转换”(22JZD005)阶段性研究成果。

摘　　要：解决在相关设计中存在缺少深入的田野调研、设计成果的创新性不够明显,以及与中国传统文化的融合程度不够深入等问题,并结合上述问题通过参与式设计实现非物质文化遗产的创新性传承。邀请辽西民间布老虎非遗传承人伊宁老师共同进行布老虎视觉造型设计,通过半结构化访谈的方式以及对调研资料的分析,共同探讨我国民间布老虎视觉形象的设计方法。虎文化是民间布老虎视觉形象设计的关键,也是展开设计工作前需要重点了解的内容。以布老虎的五官造型为案例进行分析,提炼传统布老虎的面部造型元素,并将其应用到新的形象设计中。在此基础上,本研究运用问卷调查法和半结构化访谈法,经过基础调研和访谈,总结归纳辽西地区民间布老虎的视觉形象设计重点,其主要表现为3个核心内容,分别是五观优化、设计创新、保留特色。To solve the problems of lack of in-depth field research,lack of innovation of design results,and lack of integration with Chinese traditional culture,etc.,and combined with the above issues through participatory design to achieve innovative intangible cultural heritage inheritance.Teacher Yi Ning,non-genetic inheritor of the Tiger in western Liaoning Province,was invited to carry out the visual modeling design of the Tiger by means of semi-structured interviews and the analysis of the survey data,the paper discusses the design method of the visual image of the folk cloth tiger in our country.Tiger culture is not only the key of folk cloth tiger visual image design,but also the key content to be understood before launching the design work.Taking the facial modeling of tiger cloth as an example,this paper refines the facial modeling elements of traditional tiger cloth and applies them to the new image design.On this basis,this study uses questionnaire survey and semi-structured interview method,through basic research and interviews,summed up the western Liaoning folk cloth tiger visual image design focus,its main performance is three core contents,are five views optimization,design innovation,retention of features.

关 键 词：艺术人类学 视觉形象设计 虎文化 民间布老虎 参与式设计 

分 类 号：J043[艺术—艺术理论]