复数“他者”:东亚殖民地“看”与“被看”的辩证——梅娘作品“他者”叙事的意义  

Plural“Others”:The Dialectic of“Seeing”and“Being Seen”in Colonial East Asia--The Significance of“Other”Narratives in Mei Niang’s Works

作　　者：刘晓丽[1] Liu Xiaoli(East China Normal University,Shanghai,200245)

机构地区：[1]华东师范大学中文系,上海200245

出　　处：《东疆学刊》2024年第1期10-17,131,共9页Dongjiang Journal

基　　金：国家社会科学基金一般项目《百年文学中的东北叙事研究》,项目编号:21BZW039。

摘　　要：东亚殖民地文学中“他者”问题具有复杂性而且理论意义重大。通过对日本殖民东亚时期的作家梅娘作品中“他者”叙事的分析可以发现,东亚殖民地文学中“他者”叙事的理论意义在于打破了西欧殖民主义“西方与东方”“自我与他者”的二元结构,它不同于后殖民理论的“逆写帝国”,杰姆逊的“民族寓言”,以及霍米·巴巴的“第三空间”等理论,打开了思考殖民地“他者”议题新的理论空间。The issue of the problem of“otherness”in East Asian colonial literature is complex and of great theoretical significance.Through analyzing the“other”narratives in the works of Mei Niang,a writer in the period of Japanese colonization of East Asia,we find the theoretical significance of the“other”narratives in East Asian colonial literature.It not only breaks the“West and East”and the“Self and Other”binary oppositions of Western European colonialism,but also differs from the“Empire Writes Back”theory in postcolonialism,Jameson’s“national allegory”and Homi Bhabha’s“third space”concept.It has opened up a new theoretical space for the colonial“other”.

关 键 词：他者 东亚殖民主义 伪满洲国 梅娘 

分 类 号：I106[文学—世界文学]