丝路文化与传统中国形象的建构  

The Silk Road culture and the shaping of traditional China’s image

作　　者：邱江宁[1] 邱栋容 QIU Jiangning;QIU Dongrong(Institute for Silk Road Culture and International Sinology,Zhejiang Normal University,Jinhua 321004,China;College of humanities,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学丝路文化与国际汉学研究院,浙江金华321004 [2]浙江师范大学人文学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2024年第2期1-12,共12页Journal of Zhejiang Normal University(Social Sciences)

基　　金：国家社科基金重大项目“13—14世纪‘丝路’纪行文学文献整理与研究”(17ZDA256)。

摘　　要：由概念的历史梳理可以发现,“丝绸之路”这一名称不是在中国文献中首先使用的,它最早是由德国地质学家李希霍芬提出的;“中国”一词,既在内涵演变中体现着中华民族共同体的建构历程,同时又是在与世界其他民族国家建立国际关系的过程中,逐渐获得的国家名称;“丝绸之路”作为存在时间最长、规模最大的贸易路线体系,是联系中国与世界文明的纽带。因此,丝路文化既是传统中国形象建构的重要内容,又是传统中国形象传播的重要载体。From the history of the concept,we may find that the name Silk Road was not first used in Chinese literature,but was first put forward by the German geologist Ferdinand von Richthofen.The word“China”not only embodies the connotation evolution of the shared community of the Chinese nation,but also has become a name as a country when it established relations with other countries in the world.As the longest and largest trade route system ever existed,the Silk Road plays an important role in China’s exchanges with the world civilization.Therefore,the Silk Road culture is not only an important part for the shaping of traditional Chinese image,but also an important carrier for the dissemination of traditional Chinese image.

关 键 词：丝绸之路 中国 中国形象 丝路文化 

分 类 号：G03[文化科学]