从《挪威的森林》《海边的卡夫卡》看村上文学的转变——以人称的变化为中心  

On the Transformation of Murakami Haruki’s Literary Style From“Norwegian Wood”and“Kafka on the Shore”——Centered on the Shift in Changes in Personal Names

作　　者：黄小英 杨烨 HUANG Xiao ying;YANG Ye(Guangzhou College of Commerce,Guangzhou 511363,China)

机构地区：[1]广州商学院外国语学院,广东广州511363

出　　处：《哈尔滨学院学报》2024年第3期107-110,共4页Journal of Harbin University

摘　　要：基于《挪威的森林》《海边的卡夫卡》审视村上文学的转变,既有助于从多个维度对两部作品的创作内容进行对比,又能够从宏观视角把握作家村上春树的创作历程。文章以人称的变化为中心,分析人称的灵活切换对村上春树文学创作的影响,并围绕村上文学青春叙事转变、自我救赎转变、世界观转变三方面展开全面研究。Based on the novels“Norwegian Wood”and“Kafka on the Shore”,this article examines the evolution of Murakami Haruki’s literary style,which not only helps to compare the creative content of the two works from multiple dimensions but also enables a macro perspective on the author’s literary creation process.The article focuses on the shift in personification,analyzes the impact of flexible personification switching on Murakami Haruki’s literary style,and conducts a comprehensive study around three aspects:the transformation of youth narratives,self redemption,and worldview in Murakami Haruki’s literary style.

关 键 词：《挪威的森林》 《海边的卡夫卡》 村上文学 第一人称 叙述 

分 类 号：I313.074[文学—其他各国文学]