生如夏花死如秋叶--论迟子建《额尔古纳河右岸》的死亡美学  

“Living as Summer Flowers and Dying as Autumn Leaves”:On the Aesthetics of Death in Chi Zijian’s The Last Quarter of the Moon

作　　者：王艳荣[1] 石佳鑫 WANG Yanrong;SHI Jiaxin(College of Chinese Language and Literature,Jilin Normal University,Siping,Jilin 136000,China)

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2024年第2期55-61,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省社会科学基金项目(2023B105)。

摘　　要：迟子建在《额尔古纳河右岸》中书写了许多生命的凋零与死亡。鄂温克民族的盛衰以及生命的轮回,在小说中被叙述得沉静而悲悯。作者站在广阔的文化视角描写生命的脆弱与顽强、死亡的无常与永恒、民族的繁衍与磨难。从死亡美学的视角来分析《额尔古纳河右岸》中的死亡意象与葬礼仪式,不仅可以窥见鄂温克文化的野性与柔情,也可以感受到这个游牧民族在艰难生存中向死而生的大爱,从而领悟超越死亡、生命至上的永恒精神。Chi Zijian wrote about the withering and death of many lives in The Last Quarter of the Moon.The rise and fall of the Ewenki ethnic group and the cycle of life are described in the novel as calm and compassionate.The author portrays the fragility and tenacity of life,the impermanence and eternity of death,and the reproduction and hardships of a nation from a broad cultural perspective.Analyzing the death imagery and funeral ceremony in The Last Quarter of the Moon from the perspective of death aesthet⁃ics not only reveals the wildness and tenderness of the Ewenki culture,but also allows one to feel the great love of this nomadic nation for death in difficult survival.Thus we can comprehend the eternal spirit of tran⁃scending death and prioritizing life.

关 键 词：《额尔古纳河右岸》 死亡美学 挽歌 精神彼岸 

分 类 号：I207.42[文学—中国文学]