《索邦弥撒》的写本形态、音乐特征与体裁特性  

The Manuscripts,Musical Forms and Genre Characteristics of Messe de Sorbonne

作　　者：伍维曦[1] WU Weixi

机构地区：[1]上海音乐学院

出　　处：《中央音乐学院学报》2024年第1期69-88,共20页Journal of The Central Conservatory of Music

摘　　要：弥撒套曲是中世纪晚期出现的重要的新音乐类型,与天主教仪式、音乐理论、手抄本文化及多声部音乐实践等音乐史要素有着密切的关系。对于现存的几部14世纪多声部弥撒套曲的研究,在西方音乐学界已经有了丰富的积淀,但在我国学术界还处于起步阶段。文章从文献研究史、写本与音乐形态及体裁特性几个方面,对于其中的《索邦弥撒》进行介绍,并试图从多声部弥撒套曲的风格语境出发,对这部乐曲的性质进行评析。The mass cycle is a significant new musical genre emerged in the late Middle Ages,and is closely related to some important elements of music history,such as Catholic rituals,music theory,manuscript culture,and polyphonic practice.Although the study of several extant 14th-century polyphonic mass cycles has been quite in-depth in the field of Western musicology,it is still in its early stages in Chinese context.This paper introduces Messe de Sorbonne from several aspects,such as the history of literature research,manuscripts,musical forms and genre characteristics,and attempts to analyze the nature of the polyphonic mass cycle from the stylistic context of this piece.

关 键 词：《索邦弥撒》 多声部弥撒套曲 手抄本文化 阿维尼翁 “创作” “制作” 

分 类 号：J608[艺术—音乐]