论吕天成《曲品》对钟嵘《诗品》的接受与发展  

On Lv Tiancheng's Acceptance of Zhong Rong's Shi Pin in Qu Pin

作　　者：陈威俊 Chen Weijun

机构地区：[1]复旦大学中国语言文学系

出　　处：《戏剧与影视评论》2023年第5期12-19,共8页Stage and Screen Reviews

摘　　要：吕天成欲为明代曲坛矫偏正弊,遂仿钟嵘《诗品》而作《曲品》。《曲品》对《诗品》之接受,可从形式与内容双面考量。形式上,《曲品》沿用品第等级法、比较分析法、溯源得委法、借言批评法等批评体例和法式。内容上,吕天成受诗学传统影响,以“情”“苦”“味”品曲,存在“以诗律曲”痕迹。诗、曲的体裁差异,使《曲品》借鉴诗学品评范式时,引发审美概念的变动与发展。《曲品》为研究曲论如何接受诗论之影响,提供了极佳的观察范本。Lv Tiancheng imitated Zhong Rong's Shi Pin intentionally and wrote Qu Pin.His direct motivation is to correct people's bias on Chinese opera(Qu)of Ming dynasty.The acceptance of Qu Pin to Shi Pin can be consid-ered from two aspects:form and content.In terms of form,Qu Pin adopts and follows the critical styles and meth-ods such as grade method,comparative analysis method,tracing the source method,borrowing criticism method and so on.In terms of content,influenced by the strong poetic tradition,Lv Tiancheng inevitably has the trace of"regula-ting Qu with the law of poetry",he judged Qu with three standards of"Qing","Ku"and"Wei".However,the genre differences between Qu and poetry also determine that there will be aestheticconcepts changes and development when Qu Pin draws lessons from the Shi Pin.It provides an excellent observation model for studying how Qu Theory Ac-cepts the Influenceof Poetic Theory.

关 键 词：《诗品》 《曲品》 以诗律曲 尊体 

分 类 号：I20[文学—中国文学]