叙述学视角下的马勒早期交响曲研究——兼及“实在”与“可能世界”的阐释  

Research on Mahler's Early Symphonies from the Perspective of Narrative Studies--Interpreting both"reality"and"possible world"

作　　者：张晨[1] Zhang Chen

机构地区：[1]沈阳音乐学院音乐学系,辽宁沈阳110818

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第1期73-77,I0004,共6页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：晚期浪漫派作曲家马勒的早期交响曲创作于19世纪末,这是一个交响观念扩展和形式延伸的时期,也是作曲家独立音乐叙事的开端。马勒提出了“用交响曲创造一个世界”的观点,他在音乐中创造的“世界”,是一个与实在世界相关的“可能世界”,并通过它完成了音乐自传。马勒音乐的复杂性在于它背离了原始初衷,语言叙述完成了自身意义,通过异质话语和不同话题的插入,交响曲成就了自身并将音乐语言引向了现代主义。Mahler,a late Romantic composer,created his early symphonies in the late 19th century,which was a period of expansion and formal extension of symphonic concepts,as well as the beginning of independent musical narratives for composers.Mahler proposed the idea of"creating a world through symphonies",and the"world"he created in music was a"possible world"related to the real world,through which he completed his musical autobiography.The complexity of Mahler's music lies in its deviation from the original intention,where language narration completes its own meaning.Through heterogeneous discourse and the insertion of different topics,symphonies achieve themselves and lead the musical language towards modernism.

关 键 词：马勒 交响曲 音乐叙事 可能世界 音乐自传 

分 类 号：J609.2[艺术—音乐]