“新疆曲子戏”名称由来探究  

Research on the Origin of the Name o“f Xinjiang Quzi Opera”

作　　者：蔡江宁[1] 杨叶青 CAI Jiangning;YANG Yeqing(School of Music and Dance,Changji University,Changji,Xinjiang 831100;School of Music and Dance,Guangzhou Institute of Science and Technology,Guangzhou,Guangdong 511106)

机构地区：[1]昌吉学院音乐与舞蹈学院,新疆昌吉831100 [2]广州理工学院音乐舞蹈学院,广东广州511106

出　　处：《昌吉学院学报》2024年第2期63-66,共4页Journal of Changji University

基　　金：国家社会科学基金艺术学重大项目“中国戏曲剧种艺术体系现状与发展研究”(19ZD03)子课题“新疆曲子剧现状与发展研究”阶段性研究成果。

摘　　要：“新疆曲子戏”作为戏曲名称的时间并不久远,自清朝新疆建省才有了“曲子”依据地名而名“新疆曲子”的根本。曲子在新疆以外的地方大都被称为“眉户”,在新疆多被称为“小曲子”,新疆曲子与眉户以及各省区被称为某某曲子的戏曲或曲艺都是并列的同源关系。通过对“新疆曲子戏”名称由来分析,从新疆曲子与眉户的关系及新疆方言的语调特征方面探究几经融合发展成戏曲形式后的称谓。“Xinjiang Quzi Opera”is a relatively new name for an opera genre that originated in Xinjiang dur-ing the Qing Dynasty.The term“Xinjiang Quzi”refers to the fundamental basis of this opera style,while music from outside Xinjiang is commonly referred to as“Meihu,”and music within Xinjiang is known as“small melody.”There exists a parallel and homologous relationship between Xinjiang music,“Meihu”,and other regional operas or musical arts.This paper explores the origin of the name“Xinjiang Quzi Opera”by analyzing its integration into various forms of opera and examining the relationship between Xinjiang tune,“Meihu”,and the intonation characteristics of Xinjiang dialect that related to music.

关 键 词：新疆曲子戏 眉户 名称 由来 

分 类 号：J528[艺术—艺术设计]