从制度到范式:论汉代文学与图像的经典化  

On the Classicalization of Literature and Image in Han Dynasty:From Institution to Paradigm

作　　者：李小白 LI Xiaobai(The Research Center of the Yellow River Civilization and Sustainable Development,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学黄河文明与可持续发展研究中心,河南开封475001

出　　处：《洛阳理工学院学报（社会科学版）》2024年第2期57-65,共9页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：2022年河南省哲学社会科学规划年度项目“两汉文图会通视域下的礼制重构与经典生成研究”(编号:2022CWX039)的阶段性成果。

摘　　要：汉代大一统国家的建立和礼乐文明体系的重构,表现出迥异于前代的文化特征,进而铺就了中国两千年传统社会的浓重底色。作为当时最重要的文化形式,汉赋与汉画,彰显着时代主流文化心理、礼仪规范和审美意识的需求,形成了中国文学特定的文图关系。“制度名物,容有差殊”,名物是其表象,制度为其核心,以礼仪为纲领的名物制度对其创作起到了刚性约束,使之从题材内容到表达方式都遵从一定的规范与模式。汉赋与汉画成就为后世所承认,并在不断的创作实践中核心内容愈发突显,从而形成经典范式,并最终实现“文质彬彬”理想之达成。这种经典化的范式,对后世文学、艺术创作及文图关系转变影响深远。正确解读汉赋“合綦组以成文,列锦绣而为质”之本义,深入分析汉画“图画天地,品类群生”之内涵,是研究汉代文学、图像的前提与关键。In the Han Dynasty,the establishment of a unified country and the construction of a new system of ritual and music civilization showed signs of distinctive cultural features and As the most important cultural forms at that time,Han fu(a traditional literary style,similar to Chinese poems)and Han paintings manifested the needs of the mainstream literati in cultural psychology,etiquette norms and aesthetic consciousness of the time,and formed a specific relationship between Chinese literature and pictures."Zhidu mingwu,there exist differences",in which,Mingwu refers to the names or goods,and zhidu serves as the core,meaning the rules and regulations made official-ly to guide production and exchange of various articles,while the etiquette,in fact,the general guiding principle,has played a rigid constraint on its creation,from the subject matter content to the expression of a certain standard and mode.Therefore,the achievements of Han Fu and Han paintings have been recognized by later generations,and the core content has become increasingly prominent in the continuous creation practice,thus forming a classic paradigm,and eventually achieving the ideal of"perfect literary quality".This classic paradigm has a profound in-fluence on the later literature,artistic creation and the transformation of the relationship between literature and paintings.Correctly interpreting the original meaning of the Han fu′s essence of"He qi zu yi cheng wen,lie jin xiu er wei zhi(a piece of writing composed based on different ways and skillful use of speech and rhetoric)",and deep-ly analyzing Han paintings'connotation of"Tu hua tian di,pin lei qun sheng(paintings drawn about varieties of plants and animals with similarities)"can be the premise and key to the study of literature and images in the Han Dynasty.

关 键 词：汉赋 汉画 文图关系 经典化 

分 类 号：I206[文学—中国文学]