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作 者:薛宝生 刘聪 XUE Baosheng;LIU Cong(School of Chinese Literature,Gannan Normal University,Ganzhou 341000,China)
出 处:《赣南师范大学学报》2024年第2期72-76,共5页Journal of Gannan Normal University
基 金:江西省高校人文社会科学研究2019年度项目(ZGW19203)。
摘 要:宋元之际诗论家在诗学阐释中基于统绪论而重构诗史,也即在古代诗歌发展的自然史基础上,按一定标准拣择某些时段的诗作,加以勾连,从而建构起一个“经典诗歌史”。大体而言,是从《诗》到《骚》,到汉魏古诗,再到盛唐诗的这样一个经典诗歌史,其实质就是对后世诗歌有无承传《诗三百》创作精神的价值判断。与“经典诗歌史”相匹配的“诗歌典范”选择则落实到“经典诗歌史”中的杰出诗人身上,于《诗》称里闾之人,于汉魏称苏、李,于盛唐称李、杜等。要之,总出于指导创作,振起其时诗道之需。Poetry critics reconstructed the history of poetry development in the poetic interpretation between Song and Yuan Dynasties based on genealogy theory,which was to select poems in certain periods according to certain criteria on the basis of the natural history of ancient poetry development,and connected them together,thus forming a classic poetry history.Generally speaking,it is such a history of the development of classical poetry,from The Book of Songs to Li Sao,to the classical poetry of Han and Wei Dynasties,and then to the poetry of the prosperous Tang Dynasty.Its essence is to make a value judgment on later poems to see if they have inherited the creative spirit of The Book of Songs.The poetry paradigm that matches the history of classical poetry is placed on the outstanding poets in the history of classical poetry.They praised the poets in The Book of Songs,Su Wu and Li Ling in the Han Dynasty and Wei Dynasty,Li Bai and Du Fu in the prosperous Tang Dynasty,and so on.Above all,their purpose was to guide the creation and revitalize the development of poetry at that time.
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