歌诗《渭城曲》传唱与经典化的文化认同  

Cultural Identity of the Canonization of the Song Poem Weicheng Tune

作　　者：秦雅洁 QIN Ya-jie(Anhui Normal University,Wuhu 241002,China)

机构地区：[1]安徽师范大学,安徽芜湖241002

出　　处：《扬州教育学院学报》2024年第1期24-28,共5页Journal of Yangzhou College of Education

基　　金：安徽省大学生创新创业训练计划项目(S202010370030)。

摘　　要：《渭城曲》在中国诗歌配乐演唱的历史中独树一帜。此骊歌经历代变化,其内容几乎恒久不变,创作伊始的中和情感也令后人体悟。歌诗因演唱方式“三叠”产生欲发未发的别情,与儒家对文艺作品以理性节制情感的要求相契合。在中国传统中庸思想的影响下,此歌诗与送别行为的广泛受众产生文化共鸣,并通过逐代传唱,完成了经典化。Weicheng Tune is unique in the history of the Chinese poetry music singing.Although undergone changes over generations,this farewell song retained most of its content,which ensures the neutral emotion at its creation comprehensible by later generations.The singing method of “three repetitions” produces an implicit parting sentiment,which is in line with the Confucian requirement for rational restraint of emotions in artistic works.Under the influence of the traditional Chinese doctrine of the Mean,this poem resonates with its wide audience with similar farewell experience,and has become a canon through generations of performance.

关 键 词：《渭城曲》 歌诗 传唱 中庸 经典化 文化认同 

分 类 号：J605.2[艺术—音乐] I207.227[文学—中国文学]