民族化形体的复现与重塑——数字戏曲的创新表演设计  

作　　者：杜衣杭 

机构地区：[1]中国戏曲学院舞台美术系

出　　处：《北京文化创意》2024年第1期11-19,共9页Beijing Culture Creativity

基　　金：北京高等教育本科教学改革创新项目“以戏曲学科为本体的数字媒体艺术人才培养模式研究”(202210049002)。

摘　　要：戏曲是中国传统综合性表演艺术,蕴藏着中华民族最深层次的人文精神和价值追求,其形体表演符合广大人民群众长期形成的审美经验。智能媒体能够将戏曲的身体图式、艺术语汇和审美观念进行跨媒介表达,在“昆曲身段的互动空间”“数字化的‘冰嬉’场景复原”和“梅兰芳的舞台形象再现”等数字戏曲作品中,通过智能媒体将中国传统形体表演进行典型化再造,以高度凝练的舞蹈化身段表演,建构具有亲在感的动态观演场域。外部媒介与内部的审美经验相耦合,使观众在身体实践中浸入民族化的身体美学系统,以再媒介化的艺术语汇实现中华优秀传统文化的创造性转化和创新性发展。Traditional Chinese drama is a comprehensive performing theatre art,which contains the deepest humanistic spirit and value pursuit of the Chinese nation,and its nationalized performance form conforms to the long-term aesthetic experience of the vast number of people.Taking the Chinese traditional drama as creative material combine with intelligent media,to expresses the body schema,artistic symbol and aesthetic ideal with Chinese traditional culture.Taking the Kunqu performance figure Interactive Space,Digital BingXi painting scroll and Virtual Mei Lanfang as typical case study of works,to illustrate the performance method of recreating dancing figure performance in digital media art,thus achieving immersive dynamic interactive experience in virtual space.Digital performances based on traditional Chinese drama can showcase the essence of Chinese aesthetics through media technology,allowing audiences to experience the value system of excellent traditional Chinese culture through deepening interaction.This re-mediation Artistic language is an effective method to realize the creative transformation and innovative development of Chinese excellent traditional culture.

关 键 词：数字戏曲 表演设计 身体美学 智能媒体 

分 类 号：G63[文化科学—教育学]