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作 者:朱龄 高婧淑 傅雷 把小宁 吕九芳 ZHU Ling;GAO Jing-shu;FU Lei;BA Xiao-ning;LV Jiu-fang(School of Furniture and Industrial Design,Nanjing Forestry University,Nanjing 210037,Jiangsu,P.R.China;College of Art&Design,Nanjing Forestry University,Nanjing 210037,Jiangsu,P.R.China)
机构地区:[1]南京林业大学家居与工业设计学院,江苏南京210037 [2]南京林业大学艺术设计学院,江苏南京210037
出 处:《林产工业》2024年第4期49-54,共6页China Forest Products Industry
基 金:东风西渐视域下的中国古典家具海外传播与文化认同研究(21YJC760017)。
摘 要:为探究清式家具雕刻图案的审美要素和规律,本文在问卷调查的基础上,利用SBE法和SD法对清式家具雕刻图案进行美感度评价及对其影响因素进行分析。结果表明:构图主次和布局协调感直接影响清式家具雕刻图案的美感度评价值,而动态关系、尺度比例和元素丰富度则为间接影响,且元素丰富度的影响程度略高于尺度比例。线性回归方程构建的数学模型分别为Y_(SBE)=0.555A_(3)(构图主次)+0.419A_(5)(布局协调感)和Y_(SBE)=0.27A_(6)(动态关系)+0.239A_(1)(尺度比例)=0.27A_(6)(动态关系)+0.218A_(4)(元素丰富度)。研究结果对于探究清式家具雕刻图案的美学规律具有积极的探索意义。To explore the aesthetic elements and principles of carved patterns in Qing-style furniture,the SBE and SD methods were to analyze the aesthetic sensitivity evaluation and influencing factors on the basis of questionnaire survey.The results indicated that the primary and secondary composition and the sense of layout coordination directly influenced the aesthetic sensitivity evaluation of carved patterns in Qing-style furniture.The dynamic and static relationship,scale proportion,and richness of elements were the indirect influences,while the impact of element richness was slightly higher than that of scale proportion.The mathematical models constructed by linear regression equations were as follows:Y_(SBE)=0.555A_(3)(primary and secondary composition)+0.419A_(5)(layout coordination),Y_(SBE)=0.27A_(6)(dynamic relationship)+0.239A_(1)(scale proportion)=0.27A_(6)(dynamic relationship)+0.218A_(4)(element richness).This study had significant exploratory value in understanding the aesthetic principles of carved patterns in Qing-style furniture.
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