歌剧《骆驼祥子》中音乐语言处理及民族音乐元素分析  

Musical Language Processing and Application of Ethnic Elements in Guo Wenjing′s Opera Camel Xiangzi

作　　者：张研[1] ZHANG Yan(School of Music,Anhui Professional College of Art,Hefei 230601,China)

机构地区：[1]安徽艺术职业学院音乐学院,安徽合肥230601

出　　处：《宿州学院学报》2024年第2期59-63,共5页Journal of Suzhou University

基　　金：安徽省高等学校人文社会科学重点研究项目(SK2021A0512)。

摘　　要：郭文景所创作的歌剧《骆驼祥子》中的音乐,并未延续大多数歌剧改编中的京味京韵,而是通过具有极大戏剧张力的歌剧化音乐语言和宏大的交响乐写法,创造出了具有国际标准和民族特色的歌剧内容,使得整部歌剧独具特色。通过分析《骆驼祥子》小说和歌剧剧本,以及探究汉语字音、人声对位等掌握了其中音乐语言处理以及民族元素的应用,在一定程度上给未来歌剧创作提供了借鉴。The music in Guo Wenjing′s opera Camel Xiangzi has not so much Beijing flavor as in most other adaptations.Instead,it creates the opera content with international standards and national characteristics through the ope-ratic music language with great dramatic tension and the grand symphonic writing method,making the whole opera unique.By analyzing the novel and the opera script of Camel Xiangzi,and exploring the Chinese characters and vocal counterpoint,this paper has mastered its music language processing and application of ethnic elements,which provides references for the future opera creation to a certain extent.

关 键 词：《骆驼祥子》 歌剧 民族元素 音乐与语言 汉语字音 

分 类 号：J643.2[艺术—音乐]