拗怒之中自饶和婉的周邦彦词——仄声韵的妙用  

Harmony and Gentleness in Unconventional Versification of Zhou Bangyan’s Ci poetry:The Ingenious Use of Oblique Tones

作　　者：张进萍 Zhang Jinping

机构地区：[1]澳门理工大学,中国澳门

出　　处：《中国文化研究》2024年第1期109-117,共9页Chinese Culture Research

摘　　要：北宋词人周邦彦,精通音律,能自度曲。其自度曲,格律谨严,用韵独特,尤善用仄声韵调和阴阳,在四声跌宕起伏之际、摇筋转骨之间顿生流美之致。仄声韵的妙用使其词拗怒之中自饶和婉(打破平仄规范,多用拗口的仄声求其和谐美听),平仄相宜,抑扬妥贴。周邦彦词用语丰容宛转,要渺幽约,深静和雅,呈现出声情和文情的高度融合。由此观之,集北宋之大成、开南宋之先声的周邦彦词,充分体现了宋词由浑雅到精能的风云之变,开启了南宋风雅派词之风范。Zhou Bangyan,a Ci poet in the Northern Song Dynasty,was proficient in musical rhythms and capable of composing his own tunes.His compositions have strict rhythms and unique rhymes.He was especially good at applying oblique tones to harmonize the yin and yang,creating a beauty admist the fluctuation of the four tones and the transformation of essence and form.His ingenious use of oblique tones makes his Ci poems sound harmonious and gentle;his unconventional versification breaks the general level-oblique rhyme rules in Ci poem writing,producing more harmonious and beautiful musical effects.Zhou’s Ci poetry is linguistically beautiful and graceful,musically euphonious and elegant,showing a high degree of integration of emotions conveyed through and expressed through the meanings of lyrics.From this point of view,Zhou’s Ci poetry,which is the representative of the Ci poetry in the Northern Song Dynasty and the precursor of the Ci poetry writing in the Southern Song Dynasty,fully embody the change of Song poetry from elegant to refined,setting the tone for the elegant poetry of the Southern Song dynasty.

关 键 词：周邦彦词 仄声韵 拗怒 和婉 声韵美 

分 类 号：I222[文学—中国文学]