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作 者:田壮 崔笑声[1] 肖寒寒 Tian Zhuang;Cui Xiaosheng;Xiao Hanhan
机构地区:[1]清华大学美术学院,北京100084
出 处:《家具与室内装饰》2024年第3期4-8,共5页Furniture & Interior Design
基 金:北京市社会科学基金项目(19YTB015);清华大学自主科研计划文科专项项目(2022THZWYY04)。
摘 要:研究目的为探讨消费主义与网络媒介盛行的时代背景下,数字媒体与大众评论如何影响建成环境的形态样貌与建构方式。笔者通过引入媒介理论中的“界面”概念,借助词频分析法与图像学研究法,从在线评论和图像场景这两方面入手,对五道营胡同的街道装饰进行深入探究。研究发现五道营的立面建构方式发生了“界面”化的转变。在文化体验的营造过程中,五道营的立面装饰开始作为一种用户界面发生作用:作为硬件设备,立面装饰借助“屏幕”与“超链接”的信息交互方式,是一种混杂了“原真”“拟真”“超真”的复杂界面;作为软件系统,立面装饰一方面是创意群体、本地商户与政府部门“兼容”“合谋”下的结果,另一方面也是“游客凝视”下多次重构的样貌。该街区独具特色的文化体验并非形成于自上而下的统筹规划机制,而得益于一种自下而上的、分布式的“涌现”力量,且还在持续迭代中。五道营街区场景的生成方式或为当下城市更新的策略提供了新的可能性。In the context of consumerism and the internet,this paper aims to explore the impact of digital media and public commentary on the appearance and changing process of the built environment.Invited INTERFACE concept from media theory,starting from online commentary and image scene,the study dissected the Facade Decoration of Wudaoying Hutong by literature survey,word frequency analysis,and iconography.In place of conclusion,the constructing process of the facade in Wudaoying Hutong is experiencing a transition,where the façade decoration is acting as a user interface.In the process,as hardware devices,the facade decoration is a complex interface mingling the Authentic,the Hyper,and the Virtual in the built environment through the prototype of Screen and Hyperlink.While as software devices,the facade decoration is the conspiring result of creative groups,local businesses,and government departments,on the other hand,is the consequence deconstructed by Tourists Gaze repeatedly.It is found that the unique cultural experience of the street is not formed from a top-down overall planning mechanism but benefits from a bottom-up,distributed"emergence"force,which is still being iterated.This generating system of Wudaying scenescapes might be a possibility for urban renewal strategy.
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