论库尔塔格三部作品的“引用”现象——基于德勒兹“块茎”理论分析与阐释  

On the"Quotation"Phenomenon in Kurtag's Three Works-Analysis and Interpretation Based on Deleuze's"Rhizome"Theory

作　　者：沈伟 Shen Wei

机构地区：[1]中央音乐学院音乐学系,北京100031 [2]柏林艺术大学

出　　处：《音乐艺术（上海音乐学院学报）》2024年第1期139-152,共14页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：当代匈牙利著名作曲家库尔塔格的音乐创作中存在一种独特的“引用”现象,可理解为库氏本人惯用的音乐创作手法。从形式上看,这种“引用”汇集了借用、拼贴、现成品挪用等一系列音乐创作手法,但其实质却隐含诸多与作曲家创作思维及理念休戚相关的复杂问题。库氏音乐创作中的“引用”现象在其室内乐作品中得到了充分体现,并得到法国哲学家吉尔·德勒兹的“块茎”理论对其分析与阐释。There exists a unique phenomenon of “quotation” in the music creation of the famous contemporary Hungarian composer Kurtag, which can be understood as his usual music creation techniques. From the form,this kind of “ quotation” brings together a series of music creation techniques, such as borrowing, collage,ready-made appropriation, etc. But in essence, it implies many complex problems related to the composer's creative thinking and ideas. The phenomenon of “quotation” in his music creation has been fully embodied in his three chamber music works, and can be better understood by means of the French philosopher Gilles Deleuze's “rhizome” theory.

关 键 词：库尔塔格 引用 德勒兹 “块茎”理论 同一性 异质性 

分 类 号：J614[艺术—音乐]