超越理性的“实存”——谢林美学中的存在主义萌芽  

The"Existence"that Transcends Reason:The Rudiments of Existentialism in Schelling's Aesthetics

作　　者：章文颖[1] Zhang Wenying

机构地区：[1]上海戏剧学院导演系

出　　处：《上海文化》2024年第4期30-40,共11页Shanghai Culture

基　　金：教育部人文社会科学研究青年基金项目“谢林美学对现代西方美学和艺术的意义及影响研究”(项目编号:18YJCZH256);中国博士后科学基金特别资助项目“谢林美学对现代西方美学和艺术的意义及影响研究”(项目编号:2018T110404)的阶段性成果

摘　　要：谢林在他一生多变的哲学探索中孕育了面向个体生存的存在主义思想。对自由的非理性本原的发现导致了他前后期哲学之间存在重大转折。通过分析Was和DaB所代表的本质主义与经验主义哲学思维的差异,谢林进一步确认了个体实存的真理性。由于存在根基的非理性和虚无性,人的实存无可避免地会经受畏惧、烦闷、焦虑等生命情感的折磨。谢林的这些论题后经海德格尔等人的发挥,对现代存在主义美学产生了深远的影响。In the varied philosophical explorations throughout his life,Schelling develops the existentialistic thoughts oriented towards the individual existence.The finding of the irrational principle of freedom leads to a significant turning point in his philosophy.By distinguishing the difference between essentialist and empiricist philosophical thinking represented by Was and Dap respectively,he further confirms the truthfulness of the individual existence.Due to the irrationality and nihility of the ground of being,human existence will inevitably be tortured by life feelings such as fear,boredom,and anxiety.These topics,later adapted by Heidegger and others,have a profound impact on modern existential aesthetics.

关 键 词：谢林 存在主义 自由 实存 生命情感 

分 类 号：B516.34[哲学宗教—外国哲学]