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机构地区:[1]大连理工大学建筑与艺术学院
出 处:《建筑与文化》2024年第4期284-286,共3页Architecture & Culture
摘 要:文章旨在探讨基于戏剧影视下的当代雕塑跨界融合,研究跨界合作对于当代艺术发展的意义以及如何实现跨界整合与调度系统。在这个时代,艺术门类的多元包容和科技的发展让跨界合作成为必然趋势。文章还重点分析当代雕塑跨媒介交融的诸多表现形式,阐述雕塑与戏剧影视的跨界合作所带来的新的艺术作品;最后文章强调了跨界知识支持对于媒介间融合的重要性,同时呼吁更多不同领域之间的艺术家进行跨界合作,共同实现“总体艺术”的理想。The purpose of this paper is to explore the cross-border integration of contemporary sculpture based on theater and film,and to study the significance of cross-border cooperation for the development of contemporary art and how to realize cross-border integration and scheduling system.In this era,the pluralistic inclusion of art disciplines and the development of technology make cross-border cooperation an inevitable trend.The paper also focuses on analyzing the many manifestations of cross-media convergence in contemporary sculpture,and elaborates on the new artworks brought about by the cross-border cooperation among sculpture,theater and film.Finally,the paper emphasizes the importance of cross-border knowledge support for inter-media convergence,and calls for more cross-border cooperation among artists from different fields to jointly realize the ideal of"total art".
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