基于辋川图像的唐代王维辋川园居空间景境营造研究  

Research on the Artistic Conception Construction of Wangchuan Garden Based on the Wangchuan Image

作　　者：张志强 郑曦[1] Zhang Zhiqiang;Zheng Xi

机构地区：[1]北京林业大学园林学院 [2]湖南工业大学城市与环境学院

出　　处：《古建园林技术》2024年第2期92-96,共5页Traditional Chinese Architecture and Gardens

基　　金：湖南省哲学社会科学基金青年项目(21YBQ068)。

摘　　要：通过对王维辋川别业营造背景考察,以宋郭忠恕《辋川图》为主要图像依据,并结合诗文描述,采用沉浸式的体验方法对辋川园居空间景境开展分析。揭示了辋川绘画图像背后所传递出的景境营造理念:1)在大尺度的风景空间景境营造上,辋川中反映了以山体为界域的空间序列营造,通过园居的风景感知产生了对于空间的情感体验;2)在小尺度的园居场所景境营造上,与友人社交、抚琴和奉佛是辋川图像中反映的主要园居活动,并且不同的园居活动所依托的空间景境营造不同,具有不同的场所精神表达。辋川园居包含了诗情、画意、园境三位一体的景境营造语意对后世文人园林绘画和造园产生了重要的影响。Through the construction background investigation of Wangchuan Villa,this paper takes Guo Zhongshu's Wangchuan painting of Song Dynasty as the main image basis,and combines with the description of poetry,uses the immersion experience method to analyze the landscape of Wangchuan.It reveals the construction concept from two aspects:1)In the large-scale landscape construction,Wangchuan reflects the landscape space sequence construction with the mountain as the spatial interface,and produces the emotional experience of space through the landscape perception.2)In the construction of small-scale residential places,Socialize with friends,playing Guqin and worshiping buddha are the main residential activities reflected in the images of Wangchuan,and different residential activities rely on different spatial landscapes,with different expressions of place spirit.Wangchuan contains the poetic feeling,painting meaning and garden environment,which has an important influence on the creation of garden painting and gardening by the later generations.

关 键 词：辋川图像 园林营造 景境 王维 

分 类 号：TU-098.4[建筑科学—建筑理论]