场域互动:道场与敦煌佛教文艺作品的生成  

Field Interaction:Dojo and the Formation of the Buddhist Literary and Artistic Works in Dunhuang

作　　者：李小荣 LI Xiao-rong(The Center for Studies of Fujian and Taiwan,Fujian Normal University,Fuzhou 350007,Fujian,China)

机构地区：[1]福建师范大学闽台区域研究中心,福建福州350007

出　　处：《石河子大学学报（哲学社会科学版）》2024年第2期86-101,共16页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社科基金重大招标项目“敦煌佛教文学艺术思想综合研究(多卷本)”(19ZDA254)。

摘　　要：“道场”是敦煌佛教文献中最常见的表现场域概念的关键词,其含义极其丰富,涉及物理空间、心理信仰空间、文化制度空间三大层面。而道场的中外互动、内外互动、内部联动、虚实互动和多重联动,是敦煌各种佛教文艺作品生成的主要途径;正是中外场域、内外场域的持续互动,才促成了敦煌佛教文艺作品的中国化特色。“Dojo”is the most common keyword in Dunhuang Buddhist literature to express the concept of field,and its meaning is extremely rich,involving three levels:physical space,psychological belief space,and cultural system space.The interaction between China and foreign countries,internal and external interactions,internal linkages,virtual and real interactions,and multiple linkages in the dojo are the main ways for the generation of various Buddhist literary and artistic works in Dunhuang.It is the continuous interaction between the Chinese and foreign fields and the internal and external fields that has contributed to the sinicization of Dunhuang Buddhist literary and artistic works.

关 键 词：场域互动 道场 敦煌佛教 作品生成 

分 类 号：I207.99[文学—中国文学] K870.6[历史地理—考古学及博物馆学]