明清闷户橱的设计艺术与文化价值  

Research on the Design Art and Value of the Altar Coffer in Ming and Qing Dynasties

作　　者：杨秋怡 吕九芳 YANG Qiuyi;LYU Jiufang(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2024年第2期99-103,108,共6页Furniture

基　　金：教育部人文社会科学研究青年基金项目(21YJC760017)。

摘　　要：明清闷户橱作为我国传统古典家具样式之典型,以特殊的结构和实用的功能彰显民族智慧,归纳总结明清闷户橱的发展演变,可丰富我国传统家具研究系统,为当代家具发展夯实文化底蕴。以明清闷户橱为研究对象,运用文献研究法和比较研究法,挖掘“闷户橱”之名及其历史渊源,从时空维度细述明清闷户橱的设计艺术及文化价值。明清闷户橱的形成是在橱的发展下,与案、柜、箱结合的结果,在明代确定基本形制,在清代发展装饰造型,在民间丰富用材工艺。最后,指出明清闷户橱的应用价值、艺术价值、社会价值三大文化价值,为其现代发展蓄力。As a typical style of traditional classical furniture in China,the altar coffer in Ming and Qing dynasties showcased national wisdom with its special structure and practical functions.The summarization of the development and evolution of the altar coffer will enrich the research system of traditional furniture in China and consolidate cultural heritage for the development of contemporary furniture.The altar coffer in Ming and Qing dynasties was taken as the research object,the name and historical origins of the coffer were explored by using literature research and comparative research methods,and the design art and cultural value of the coffer was elaborated from a spatiotemporal perspective.The formation of the coffer was the result of the development of cabinets,combined with cases,cabinets and boxes.As a result,the basic form was determined in Ming dynasty,the decorative shapes were developed in Qing dynasty,and the materials and crafts were enriched in the folk.Finally,in order to contribute to their modern development,the three major values of the coffer were pointed out in aspects of application value,artistic value,and social value.

关 键 词：明清闷户橱 设计艺术 文化价值 古典家具 家具文化 

分 类 号：TS664[轻工技术与工程]