新时代乡村公共艺术的“四性”及方法论:以重庆酉阳“人民美术讲习所”为例  

A Preliminary Study on the "Four Natures" and Methodology of Rural Public Art in the New Era:A Case Study of the "People's Art Workshop" in Youyang,Chongqing

作　　者：曾令香(文/图)[1] Zeng Lingxiang

机构地区：[1]四川美术学院

出　　处：《公共艺术》2024年第1期27-37,共11页Public Art

基　　金：重庆市艺术科学研究规划重点项目部分成果,项目编号为21ZD03。

摘　　要：本文将以重庆酉阳驻地七百四十五天的调研与创作,以“人民美术讲习所”为平台展开的艺术与乡土社会的政治、经济、文化全链条融合实践,以陪伴式、浸润性、和合性与艺社共建的种种公共艺术运作机制探究,倡导艺术复归社会根本,回到在地性、时代性、实践性与人民性的艺术实验,回到大历史现实与历史文化本位,去探究新时代乡村公共艺术的思想与行动,为探讨中国乡村公共艺术提供一个西南腹地的样本。Based on the 745 days of research and creation in Youyang,Chongqing,into the integration of the whole chain of art and the politics,economy and culture of the local society with the platform of the "People's Art Workshop",the paper explores the operating mechanism of various public art co-built by art societies and local communities featuring in companionship,immersion and harmony.It advocates the return of art to the foundation of a society,to the local,contemporary,practical and people-oriented artistic experiments,and the historical reality and historical and cultural standards,so as to explore the thoughts and actions of rural public art in the new era,thus to provide a sample from the southwest hinterland for the study of public art in rural China.

关 键 词：乡村 时代性 人民性 公共艺术 艺社共建 

分 类 号：D422.6[政治法律—政治学] J124[政治法律—国际共产主义运动]