开拓与隐忧——视觉文化语境下影像化叙事的文化内涵与审美反思  

Exploration and Hidden Worries:The Cultural Connotation and Aesthetic Reflection of Imagined Narration in the Context of Visual Culture

作　　者：李佳奇 吴景明[1] LI Jia-qi;WU Jing-ming(School of Liberal Arts,Northeast Normal University,Changchun,Jilin 130024)

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《艺术百家》2024年第1期64-71,共8页Hundred Schools In Arts

摘　　要：随着视觉文化时代的来临,影视艺术的崛起对传统文学的生存状态造成了强烈冲击。小说为了自身的发展,开始有意识地向影视靠拢,在文本创作中出现了影像化叙事倾向。二者的融合丰富了小说的艺术表现手法、推动了文体变革,但无节制地运用影视技法也损害了文学独立的审美品格,这是当前亟待正视的问题,也是对创作者的考验。未来小说的发展既面临严酷的挑战,也迎来时代的机遇。With the advent of the era of visual culture,the rise of film and television art has had a strong impact on the survival status of traditional literature.For the sake of its own development,novels have consciously moved closer to film and television,and there has been a tendency towards visual narrative in text creation.The integration of the two enriches the artistic expression techniques of novels and promotes stylistic changes;However,the uncontrolled use of film and television techniques has also led to the erosion of literary independent aesthetic character,which is an urgent issue to be faced and a test of the times for creators.The development of future novels faces both severe challenges and opportunities of the times.

关 键 词：视觉文化 影像化叙事 审美反思 

分 类 号：J05[艺术—艺术理论]