早期毛泽东文艺文化思想举要  

Mao Zedong's Literary and Cultural Thoughts in Earlier Stages

作　　者：陆扬 LU Yang(Institute of Art and Aesthetic Education,Capital Normal University,Beijing 100048,China)

机构地区：[1]首都师范大学艺术与美育研究院,北京100048

出　　处：《江苏行政学院学报》2024年第2期27-34,共8页The Journal of Jiangsu Administration Institute

摘　　要：毛泽东的文艺文化思想作为中国主导意识形态的核心组成部分,有一个形成和发展的过程。在早年《《湘江评论》创刊宣言》《文化书社缘起》,以及日后的《湖南农民运动考察报告》中,毛泽东皆鼎力推举新文化运动,并以科学、哲学、文学为其主干。这可视为毛泽东文艺文化思想的形成时期。毛泽东文艺文化思想最典型的表征形态,是1942年5月发表的《在延安文艺座谈会上的讲话》,强调无产阶级立场问题,呼吁文艺工作者为最广大的人民群众服务,坚持政治第一、艺术第二的批评标准,对于中国后来马克思主义意识形态的建设,产生了不无争议的压倒性巨大影响。毛泽东最终是在鲁迅的样板里,树立了政治标准和艺术标准完美结合的典型。As the core component of China's dominant ideology,Mao Zedong's cultural thoughts had experienced a process of formation and development.In the early years,in writings for“Founding Declaration of Xiangjiang Review(also known as The Shian Kian Weekly Review)”,“The Origin of the Cultural Book Society”,and later in the“Report on an Investigation of the Peasant Movement in Hunan”,Mao Zedong vigorously promoted the New Culture Movement,with science,philosophy,and literature as its backbone.This can be regarded as the formative period of Mao Zedong's cultural thoughts.The most typical form of Mao Zedong's cultural thoughts is the“Speech at the Yan'an Forum on Literature and Art”published in May 1942,which emphasized the issue of the proletarian position,called on literary and artistic workers to serve the broadest masses of the people,and adhered to the criticism standard of“politics first and art second”.This had a somewhat controversial and overwhelming impact on the development of Marxist ideology in China.Mao Zedong finally set up a model of the perfect combination of political and artistic standards in Lu Xun's model.

关 键 词：毛泽东 文艺文化思想 阶级属性 批评标准 鲁迅 

分 类 号：I0[文学—文学理论]