壁帖:一种文本性与物质性交织的文献传统  

Bi Tie:A Tradition of Literature Incorporating Textuality and Materiality

作　　者：李成晴 Li Chengqing(Center for Ancient Chinese Classics&Archives/Department of Chinese Language and Literature,Peking University,Beijing 100871,China)

机构地区：[1]北京大学中国古文献研究中心/中国语言文学系,北京100875

出　　处：《浙江大学学报（人文社会科学版）》2024年第3期86-99,共14页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：国家社科基金冷门绝学研究专项(23VJXG018)。

摘　　要：尹焞《和靖尹先生文集》卷五《壁帖》一卷存留了三畏斋写帖、临川郡斋石刻墨拓的某些文本形态。尹焞《壁帖》系“手书圣贤所示治气养心之要”,间有一己之心得体悟,其文本形态与文献生成过程既可与《师说》三卷互证,也体现了文本性与物质性在稿抄史料中的交织。壁帖的做法远绍上古箴铭文化暨《论语》所载子张“书诸绅”之范型,同时因应了宋代“帖纸于壁”的文化风气,可以看作儒门修身的“图示化”空间呈现方法。就文本功能来看,壁帖的内在理路在于目击道存、朝夕相见、时时观省。就生成方式来看,壁帖有自撰、抄录、杂录等不同的生成方式,可结合宋代儒家自修、教人等具体的历史情境作具体分析。随着壁帖的制度化,壁帖文本也发生了文本空间和物质性载体层面的迁移,有了走向书院与文集的两重去向。从文本形态进入集部文献的研究,有关其物质性载体的“纸上考古”是具有丰富可能性的研究路径。Yin Tun was a renowned Confucian scholar and educator during the transitional period of the Northern and Southern Song Dynasties in China.He studied under Cheng Yi and stood out among Cheng Yi’s numerous students for his dull intelligence and exceptional dedication to the virtue of“respect”in rituals.“Calligraphy manuscripts pasted on the wall(bi tie)”,the fifth volume of Yin Tun’s Collected Works of Hejing Yin,preserves certain textual forms of the calligraphy manuscripts from Three Fears Studio(Sanweizhai)and the ink rubbings from stone inscriptions from Linchuan Prefecture Studio(Linchuan Junzhai).The content of bi tie can be quotes or poems from predecessors or personal reflections.Yin’s bi tie is“a handwritten manuscript recording the essentials of the methods of cultivating the mind and regulating qi(intangible nutritive energy circulating in the body)”proposed by previous sages,interspersed with his own occasional commentaries.Its textual form and literature-generating process offers cross reference to“The master’s teachings(Shi shuo)”,thereby revealing the interweaving of textuality and materiality existing in handwritten copies of historical materials.The practice of bi tie has its origin in the culture of admonitions and epigraphs of ancient times and the model of Zi Zhang“writing the Master’s words on the end of his sash”in the Confucian Analects and conforms to the cultural customs of“pasting paper on the wall”in the Song Dynasty.It can be interpreted as the pictorial spatial representation of the Confucian way of cultivating moral character.The underlying function of bi tie is to facilitate people’s grasping of Dao through constantly observing and introspecting.Similar to Wu Cheng’s praise for Zhang Kegong in Discourse on Zhujingtang,in which he admires the placement of essential sayings on the wall,visible day and night,claiming that such dedication is commendable.In terms of generating methods,bi tie encompasses writings,transcriptions,and miscellanies,which ca

关 键 词：壁帖 尹焞 文本形态 物质性 文献传统 

分 类 号：K244[历史地理—历史学]