诠辞衡赋,首发其声:司马迁赋论探赜  

An Exploration of Sima Qian’s Theory of Fu(Rhyme-Prose of the Han Dynasty)

作　　者：梁利栋 LIANG Lidong(School of Literature,Northwest Normal University,Lanzhou 730070,China)

机构地区：[1]西北师范大学文学院,兰州730070

出　　处：《渭南师范学院学报》2024年第4期39-44,53,共7页Journal of Weinan Normal University

基　　金：国家社会科学基金重大招标项目:早期书写与商周秦汉文学关系史(22&ZD260)。

摘　　要：司马迁可视为汉代首位赋论家,其赋论散见于《史记·太史公自序》《屈原贾生列传》《司马相如列传》之中。司马迁赋论可归纳为三个方面:其一,以“辞”泛指楚辞,以“辞赋”泛指汉初赋作,以“赋”特指楚辞或汉赋之单篇作品,体现了乱中寓整的辞赋观;其二,受“《诗》之风谏”的影响,提出了赋以讽谏的赋用论;其三,兼顾赋之思想性、艺术性,倡导文质并重的赋艺论。As the first outstanding theorist on Fu(rhyme-prose of the Han Dynasty),his exposition on Fu can be found in his writings of Historical Records,such as“autobiography of Sima Qian”,“biographies of Qu yuan and Jia Sheng”,and“biographies of Sima Xiangru”.Sima Qian’s treatise on Fu can be generally analyzed from three angles,that is,from the reference of Fu,where Ci(Verse)refers to Chu Ci(the Verse of Chu),Ci-Fu refers to Han Fu(rhymeprose of the Han Dynasty),Fu refers the single works of Chu Ci or Han Fu;from the function of Fu where Fu is instrumental for persuasion;and from artistic traits of Fu with thought,where the content and form or thought and art are both taken into account.

关 键 词：司马迁 赋论 辞赋观 赋用论 赋艺论 

分 类 号：I206.2[文学—中国文学]