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作 者:程颖 Cheng Ying(Liberal Arts College,Hunan Normal University,Changsha 410081,China)
出 处:《台州学院学报》2024年第2期64-68,92,共6页Journal of Taizhou University
基 金:湖南省普通高等学校教学改革项目“《中国现当代诗歌研究》教育课程体系建设研究”(HNJG-20230273)。
摘 要:“女儿性”这一术语起源于《红楼梦》中塑造的尽善尽美、如梦似幻的“女儿”世界,本义为“女儿”美好的天性。舒婷诗歌具有强烈艺术感染力的原因,就在于弥漫于诗歌中的“女儿性”特质。这种特质不仅表现为“女儿”天真烂漫的天性,也表现为具有现代叛逆色彩的“女儿性”。和著名评论家陈仲义结婚之后,舒婷诗歌中的“女儿性”话语也隐现出被妻性、母性话语入侵的端倪,“女儿性”话语遂由“台前”走向了“幕后”。The term"daughter nature"originates from the perfect and dreamlike world of"daugh⁃ters"portrayed in Dream of the Red Chamber,and its original meaning is the beautiful nature of"daughters".Analysis reveals that the reason why Shu Ting's poetry has a strong artistic appeal lies in the"daughter like"characteristic that permeates her poetry.This trait is not only reflected in the inno⁃cent nature of a daughter,but also in the modern rebellious nature of a daughter.After marrying the famous critic Chen Zhongyi,the discourse of"daughters"in Shu Ting's poetry also showed signs of be⁃ing invaded by the discourse of wives and mothers,and the discourse of"daughters"then moved from"in front of the stage"to"behind the scenes".
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