浅析济慈诗歌中的“音景”书写与伦理观建构  

On Soundscape Narrative and Ethics Construction in Keats’s Poetry

作　　者：逯阳[1] 孙灏然 Lu Yang;Sun Haoran(Dalian University of Foreign Languages,Dalian,Liaoning,116044)

机构地区：[1]大连外国语大学英语学院,辽宁大连116044

出　　处：《语文学刊》2024年第2期67-71,共5页Journal of Language and Literature Studies

基　　金：辽宁省社科规划基金项目(L19BWW008)阶段性研究成果。

摘　　要：济慈诗歌中不仅蕴含着丰富多彩的“图景画卷”,更有美妙生动的“音景景观”,二者交相辉映,相辅相成。对自然、乡村的“高保真”音景书写体现了诗人和谐统一的伦理观;而工业革命所形成的“声音帝国主义”则打破了这种和谐,以一种霸权的存在侵蚀着人类的伦理道德观念。借助“音景”书写,济慈表达了对建构和谐伦理观的期待和向往。There are not only colorful landscapes,but also vivid soundscapes in Keats’s poetry.They join together,giving full play to the themes.The hifi-soundscape narrative represents Keats’s harmonious ethics,while the sound imperialism in the Industrial Revolution breaks this harmony by eroding human’s ethics.Through soundscape narrative,Keats expresses his desire to construct ethics and his longing for freedom and democracy.

关 键 词：济慈 诗歌 音景 伦理观 

分 类 号：I106.4[文学—世界文学]