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作 者:黄鸣奋[1] HUANG Mingfen
机构地区:[1]厦门大学电影学院,厦门361005
出 处:《北华大学学报(社会科学版)》2024年第2期104-126,155,共24页Journal of Beihua University(Social Sciences)
基 金:国家社会科学基金艺术学重大项目“比较视野下中国科幻电影工业与美学研究”(21ZD16)阶段性研究成果。
摘 要:作为类型电影,科幻片的特点是以科技为参照系,爱情片的特点是围绕婚恋关系来构思,科幻爱情片是它们彼此渗透的产物。与其他类型的爱情片相比,科幻爱情片的特色是以科技为参照系放飞想象,设想各种跨越天体界限、物种界限和人机界限的爱情,审视其可能性与不可能性。与其他类型的科幻片相比,科幻爱情片的特点是围绕婚恋关系展开时间想象、空间想象和末日想象。中西方科幻爱情片都打上了各自文化背景烙印。西方作品比较重视社会观念的表达,我国作品比较重视道德理想的弘扬。无论中方还是西方,科幻爱情片都重视科技与爱情的互动,其要旨是将未来科技发展(或科技反常应用)当成引子,表现对人性、人情、人类命运的关怀。The characteristic of science fiction films is to use technology as a reference frame,while the characteristic of romance films is to conceive around romantic relationships.Sci-fi/love films are the product of their mutual penetration.Compared to other types of love films,the characteristic of sci-fi/love films is to use technology as a reference frame to unleash imagination,imagine various loves that crosses celestial,species and human-machine boundaries,and examine their possibilities and impossibilities.Compared with other types of sci-fi films,the characteristic of sci-fi/love films is to revolve around time imagination,space imagination,and apocalyptic imagination of romantic relationships.Both Chinese and Western sci-fi/love films have been branded with their respective cultural backgrounds.Western works attach great importance to the expression of social concepts,while Chinese works attach great importance to the promotion of moral ideals.Whether China or the West,sci-fi/love films emphasize the interaction between technology and love.The main idea is to use future technological development(or abnormal application of technology)as a guide,expressing concern for human nature,human sentiment and human destiny.
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