从“拜物”到“噬物”:计算式社会的设计异化论  

The Theory of Design Alienation:"Fetishes"and"Phagocytosis"in the Computational Society

作　　者：宋轶 王敏 Song Yi;Wang Min(Schoolof Design,Jiangnan University,Wuxi 214122,China)

机构地区：[1]江南大学设计学院,江苏无锡214122

出　　处：《艺术与设计（理论版）》2024年第2期29-32,共4页Art and Design

基　　金：江南大学2019年本科教育教学改革研究项目“以‘双一流’建设为目标的设计学基础理论课《设计概论》教材双语编写研究”(JG2019081)阶段性研究成果。

摘　　要：为了揭示计算式社会背景下,设计异化以量化方式重构消费群体和日常生活所带来的影响,并指出其相悖于可持续发展理念。文章从社会、设计师和日常生活三个方面,分析了设计异化是社会异化的必然。揭示了以计算式社交软件为媒介的社交,物理技术架构被商业架构所取代;强调了计算式社会由工业时代“物支配人”转向“数据支配人”;最后指出被设计的商品及个性化推送,将人束缚在特定信息牢笼中,失去获得感与生命体验。In order to reveal the impact of design alienation on consumer groups and daily life through quantitative reconstruction,within the context of a computational society,and to point out its deviation from the concept of sustainable development.This article analyses that design alienation is an inevitable result of social alienation from three aspects:society,designers,and daily life.It reveals that social interactions mediated by computational social software replace physical technological architectures with commercial architectures.It emphasizes the shift from"material-dominating humans"in the industrial age to"data-dominating humans"in the computational society.Finally,it points out that designed products and personalized recommendations confine individuals within specific information cages,leading to a loss of fulfilment and life experience.

关 键 词：设计异化 计算式社会 对象化 噬物 可持续发展 

分 类 号：J0[艺术—艺术理论]