中美地区墓室壁画中老者形象的艺术特征与文化内涵  

The Artistic Characteristics and Cultural Connotation of the Image of the Elderly in Tomb Murals in Central America Regions

作　　者：吴思佳 Wu Sijia(School of Art Nantong University,Nantong 226019,China)

机构地区：[1]南通大学艺术学院,江苏南通226019

出　　处：《艺术与设计（理论版）》2024年第2期123-125,共3页Art and Design

基　　金：教育部人文社会科学研究项目“3-10世纪中国与中美地区墓室壁画比较研究”项目编号:21YJC760089;江苏省社会科学基金项目“中国与中美地区墓室壁画比较研究”项目编号:21YSB019。

摘　　要：中美地区古文明艺术中,老者形象占据了不可忽视的地位,不仅被赋予了重要性和神圣性,也表现出生命的连续性和超越性。这些形象不仅是历史的承载者和重大事件的见证者,还是神话故事中的智者。与中国传统文化中对祖先的重视类似,中美地区艺术中突出老者形象,表现出对生命的珍视和敬畏。尽管两大古文明信仰各异,但都体现出对生命的敬畏和追求,这种信仰与伦理紧密相连,反映了不同文明和地域的古人对生命的尊重和对血缘亲情的眷恋。In the art of ancient civilizations in Central America,the image of the old man occupies an inescapable position,which is not only endowed with significance and sanctity,but also expresses the continuity and transcendence of life.These images are not only bearers of history and witnesses of significant events,but also wise men in mythological stories.Similar to the importance placed on ancestors in traditional Chinese culture,the prominence of the image of the old man in Chinese and American regional art demonstrates the value and reverence for life.Despite the different beliefs of the two ancient civilizations,they both embody the reverence and pursuit of life,and such beliefs are closely linked to ethics,reflecting the ancient people's respect for life and attachment to blood kinship in different civilizations and regions.

关 键 词：中美地区 墓室壁画 老者形象 艺术特征 文化内涵 

分 类 号：J18[艺术—艺术理论]