中国化阐释与现代性建构——略论朱立元对马克思主义文艺学的创新探索  

Chinese Interpretation and Modernity Construction:On Zhu Liyuan’s Innovative Exploration of Marxist Literary and Artistic Theory

作　　者：刘阳军 LIU Yang-jun(School of Chinese Language and Literature,Guizhou Minzu University,Guiyang 550025,China)

机构地区：[1]贵州民族大学文学院,贵州贵阳550025

出　　处：《兰州文理学院学报（社会科学版）》2024年第3期12-16,共5页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：朱立元对马克思主义文艺学的创新探索,是其立足中国和世界现代语境而展开的一种文论现代性建构。这一探索可概括为两点:马克思主义文艺学体系建构和马克思主义文艺学中国化研究。其不仅坚定主张马克思主义文艺学体系要贯通生产到消费、创造到接受之完整过程,系统总结和反思马克思主义文艺学中国化成就和经验等,同时还突出了古今中外交流互鉴,尤其是马克思主义文艺学与中国社会现实和文艺现实、中华优秀传统文化相结合的历史逻辑和理论逻辑,从而也突出了马克思主义文艺学中国化乃是当代中国文艺学创新建构之根本途径。Zhu Liyuan's innovative exploration of Marxist literary and artistic theory is a construction of modernity in literary theory based on the modern context of China and the world.This exploration can be summarized into two points:the construction of the Marxist literary and artistic theory system and the study of the Sinicization of Marxist literary and artistic theory.It not only firmly advocates that the Marxist literary and artistic theory system should be integrated into the complete process from production to consumption,creation to acceptance,and systematically summarizes and reflects on the achievements and experiences of the Sinicization of Marxist literary and artistic theory,but also highlights the historical and theoretical logic of the combination of Marxist literary and artistic theory with Chinese social reality,literary reality,and excellent traditional Chinese culture,as well as the exchange and mutual learning between ancient and modern China and foreign countries,in addition,it highlights that the Sinicization of Marxist literary and artistic theory is the fundamental way to innovatively construct contemporary literary and artistic theory.

关 键 词：朱立元 马克思主义文艺学 中国化阐释 现代性建构 

分 类 号：I0[文学—文学理论]