论新秧歌运动的发生与秧歌剧作者身份的转换  

On the occurrence of the New Yangko Movement and the transformation of the identity of the author of Yangko Opera

作　　者：王俊虎[1] 张宸菡 WANG Junhu;ZHANG Chenhan(School of Literature,Yan’an University,Yan’an 716000,Shaanxi)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《陕西理工大学学报（社会科学版）》2024年第2期42-48,共7页Journal of Shaanxi University of Technology(Social Science)

基　　金：国家社会科学基金重大项目(18ZDA280)。

摘　　要：新秧歌运动是延安时期由中国共产党在抗日救亡运动背景下组织、引导的,在陕甘宁边区孕育和发展起来的一场声势浩大的大众文艺运动。新秧歌运动通过秧歌剧的形式宣传了党的理论主张,激发了边区人民的抗日热情,成为中国共产党早期文艺工作中的优秀典范。从毛泽东同志《在延安文艺座谈会上的讲话》对文艺工作的直接指导再到陕甘宁边区文教大会对人民文教工作的讨论,轰轰烈烈的“秧歌下乡”运动逐渐发展成了全民参与的“乡下秧歌”浪潮,工农兵登上了秧歌剧的创作舞台,成为了新秧歌运动的主角。而工农兵成为秧歌剧的创作者,得益于边区文艺政策的引导和物质条件的改善,也得益于外部条件改善所激发的创作能力和创作欲望。The New Yangko Movement was a mass literary and artistic movement organized and guided by the CPC in the context of the resistance against Japanese and national salvation in the Yan’an period,nurtured and developed in the Shaanxi-Gansu-Ningxia Border Region.The New Yangko Movement publicized the Party’s theoretical propositions,stimulated the people’s enthusiasm for anti-Japanese in the border areas,and became an excellent model in the early literary and artistic work of the CPC.From the direct guidance of the Speech on literary and artistic work to the discussion of people's cultural and educational work at the Shaanxi-Gansu-Ningxia Border Region Cultural and Educational Conference,the magnificent“Yangko to the Countryside”movement gradually developed into a wave of“rural Yangko”with the participation of the whole people.Workers,peasants,and soldiers stepped onto the stage of creating Yangko opera and became the leading role of the new Yangko movement.The fact that workers,peasants and soldiers became the creators of Yangko opera,was due to the guidance of the literature and art policy of the border area and the improvement of material conditions,as well as the creative ability and desire for creation inspired by the improvement of external conditions.

关 键 词：新秧歌运动 秧歌下乡 乡下秧歌 作者身份 

分 类 号：I207[文学—中国文学]