唐代含绶鸟纹研究及其衍生设计实践  

RESEARCH AND DERIVED DESIGN PRACTICE ON THE BIRD PATTERN WITH RIBBON IN THE TANG DYNASTY

作　　者：傅思佳 邓莉丽[1] 

机构地区：[1]江苏大学艺术学院

出　　处：《包装与设计》2024年第1期176-177,共2页Package & Design

基　　金：江苏省江苏大学第21批大学生科研项目(项目编号:Y21C115)。

摘　　要：含绶鸟纹是中国古代装饰纹样的一种,在众多古代器物和织物中都能见其身影。本文首先以唐代含绶鸟纹为研究对象,从多维度解读含绶鸟纹的艺术特征和文化意蕴,然后在此基础上进行纹样衍生设计和创新应用,实现含绶鸟纹的活化设计,以期为含绶鸟纹的衍生设计实践提供参考。The pattern of bird with ribbon is one of decorative patterns in ancient China,which can be seen in many ancient artifacts and fabrics.The article focuses on this pattern,and interprets the artistic characteristics and cultural implications of it from multiple dimensions.Then,a design based on the pattern is conducted,and an innovative application of the design is introduced,revitalizing the pattern through the design practice.It hopes to provide a reference for designing with the pattern.

关 键 词：含绶鸟纹 艺术特征 文化意蕴 创新设计 婚嫁用品 

分 类 号：G63[文化科学—教育学]