光的停留——新媒体视域下光绘艺术研究与实践  

THE PERSISTENCE OF LIGHT–RESEARCH AND PRACTICE OF LIGHT PAINTING FROM THE PERSPECTIVE OF NEW MEDIA

作　　者：黄君仪 来思渊[1] 

机构地区：[1]浙江理工大学艺术与设计学院

出　　处：《包装与设计》2024年第1期182-183,共2页Package & Design

摘　　要：光绘以光源作为创作手段,促进了不同艺术形式的互动与融合。随着技术的发展,光绘创作的方法更加创新多样,但绘制的不稳定性与成像的不确定性,仍然是亟待解决的问题。本文在对光绘摄影的特点、光绘工具及技法、光绘图案特点、绘制稳定性的解决方案进行研究的基础上,进行了光绘实践,同时展望了光绘创新与未来发展的无限可能。Light painting employs light sources as creative tools,fostering interaction and fusion across various artistic forms.With technological advancements,the methods of light painting have become more innovative and diverse.However,the instability in drawing and uncertainty in imaging remain pressing issues.Building upon research on the characteristics of light painting photography,tools and techniques,patterns of light painting,and solutions for stability in drawing,this paper conducts light painting practices and meanwhile looks forward to the boundless possibilities of innovation and future development in light painting.

关 键 词：技术 光绘 创意技巧 新媒体 

分 类 号：G63[文化科学—教育学]