互文性与新媒介环境下的文本生产--论东西的长篇小说《回响》  

Intertextuality and Text Production in the New Media Environment:Taking Dong Xi’s Novel Echoes for Example

作　　者：陈琪 CHEN Qi(School of Chinese Language and Literature,Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学文学院,济南250014

出　　处：《山东青年政治学院学报》2024年第3期32-37,共6页Journal of Shandong Youth University of Political Science

摘　　要：互文性连接了文本内外,东西小说《回响》的案情线与感情线将文本和此前与此后的社会事件文本联系在一起,文学与生活在虚构与现实中构成互文关系,文本意义得到丰富。小说文本与文学文本之间的互文是文本生产与解读的关键,其他文本依托互文进入关联文本,在全新的编织和结构下深化《回响》的写作意义。随着科技的发展,新媒介持续影响着文学写作,《回响》的创作与新媒介有着深度关联。新媒介环境下,文学影视化改编和读者阅读的介入不断与文学文本形成互文,为文本生产和意义生成提供了一种有益借鉴。Intertextuality connects the inside and outside of the text,and the case and emotional lines of the Dong Xi’s novel Echoes connects the text with previous and subsequent social event texts.Literature and life form an intertextual relationship between fiction and reality,enriching the meaning of the text.The intertextuality between novel texts and literary texts is the key to text production and interpretation.Other texts rely on intertextuality to enter related texts and deepen the writing significance of Echoes under a new design and structure.With the development of technology,New Media continues to influence literary writing,and the creation of Echoes is deeply related to New Media.In the New Media environment,the adaptation of literary videos and the intervention of readers in reading constantly form intertextuality with literary texts,providing a useful reference for text production and meaning generation.

关 键 词：《回响》 互文性 新媒介环境 文本意义 

分 类 号：I206.7[文学—中国文学]