论诗文创作中历史人物的层次性批评及其多重意义——以唐代文学中的司马相如现象为例  

On the Hierarchical Criticism of Historical Figures in Poetry and Prose Creation and Its Multiple Meanings—Taking the Phenomenon of Sima Xiangru in the Literature of the Tang Dynasty as an Example

作　　者：苏利国 Su Liguo(College of Literature and Journalism,Gansu University of Political Science and Law,Lanzhou,China)

机构地区：[1]甘肃政法大学文学与新闻传播学院学院,甘肃兰州730070

出　　处：《社会科学论坛》2024年第3期81-96,共16页Tribune of Social Sciences

摘　　要：两汉辞宗司马相如在唐代文学中具有极高的关注度,各个分期的文学大家都对其有所谈及。唐人分别以景点、地域、故事、时人等角度入手,将司马相如从单纯历史人物的文学书写逐渐转变为时人精神世界与生存状况真实呈现的重要载体。对于司马相如文学创作的批评,则是李唐综合国力、时代风气、文学思潮诸因素合力影响之结果。于是,个体生命过程的丰富性结合有唐一代社会历史发展的独特性,使得司马相如在唐代文学中呈现出难以复制的多重意义。Sima Xiangru,a master in literature of the Han Dynasty,has a high degree of attention in the literature of the Tang Dynasty,and every litterateur of each stage of that time has talked about it.The Tang people studied him from the perspectives of landscape,regions,stories,and the people of the time,and gradually transformed Sima Xiangru’s literary writing from a simple historical figure into an important carrier for the true presentation of the spiritual world and living conditions of the people of his time.The criticism of Sima Xiangru’s literary creation is the result of the combined influence of Tang’s comprehensive national strength,the atmosphere of the times,and literary trends.Therefore,the richness of individual life is combined with the uniqueness of the social and historical development of the Tang Dynasty,which makes Sima Xiangru present multiple meanings that are difficult to replicate in the literature of the Tang Dynasty.

关 键 词：司马相如 唐代文学 层次性 批评 

分 类 号：I206.2[文学—中国文学]