作为文化事件的《啼笑因缘》 ——兼论“张恨水现象”的生成  

Fate in Tears and Laughter as a Cultural Event: on the Emergence of“ZHANG Henshui Phenomenon”

作　　者：李婕 LI Jie(Hunan Normal University,Changsha,Hunan 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《贵州大学学报（艺术版）》2024年第3期30-37,共8页Journal of Guizhou University Art Edition

基　　金：2022年湖南省教育厅科学研究青年项目“张恨水电影批评的文献整理与研究”(项目编号:22B0085)。

摘　　要：20世纪30年代,小说《啼笑因缘》的成功迅速扩展至颇具吸引力的大众传媒电影中。影视改编引发影视公司的争夺战,在社会上掀起巨大舆论风潮,爆发相关真假电影版权的“双胞案”,由此形成《啼笑因缘》在文化界引发的文化事件。这场文化事件不只是作家个人意志的产物,也是报刊编辑、作者与读者等多重力量共同作用下的结果。在不同媒介的立体互动作用之下,《啼笑因缘》不断被重塑,引发讨论热潮,推进“张恨水现象”的生成。The success of the novel Fate in Tears and Laughter rendered its quick expansion to the attractive field of mass media film.Its film and television adaptations have triggered a fierce competition among film and television companies,sparking a hot discussion among the public.As“a case of twins”was abruptly revealed concerning the real and fake film copyrights,it formed a cultural event in the cultural community.This cultural event is not only a product of the author’s personal will,but also the result of the collaborative effort of the newspaper editors,authors and readers.Under the multi-dimensional interaction of different media,the event of Fate in Tears and Laughter is constantly being reshaped,triggering a frenzy discussion and promoting the emergence of“ZHANG Henshui phenomenon”.

关 键 词：《啼笑因缘》 电影改编 文化事件 “张恨水现象” 

分 类 号：J0[艺术—艺术理论]