美国戏剧经典的跨文化呈现——以《推销员之死》为例  

On the Cross-cultural Presentation of Canons in American Drama:A Case Study of Death of a Salesman

作　　者：赖日升 LAI Risheng(Faculty of English Language and Culture,Guangdong University of Foreign Studies,Guangzhou,Guangdong 510420,China)

机构地区：[1]广东外语外贸大学英语语言文化学院,广东广州510420

出　　处：《贵州大学学报（艺术版）》2024年第3期78-84,共7页Journal of Guizhou University Art Edition

基　　金：国家社科基金重大项目“百年来中外戏剧交流史文献整理与研究”(项目编号:22&ZD285);广东外语外贸大学外国文学文化研究院2023年度创新研究项目“八九十年代的中外戏剧交流研究——以英若诚为例”(项目编号:23BZCG02)。

摘　　要：1983年,美国著名剧作家阿瑟·密勒携代表作《推销员之死》亮相北京人民艺术剧院并大获成功,这是一次意义非凡的跨文化展现,对20世纪的中外戏剧产生了重大影响。不论是该剧的“表现主义”创作手法还是其综合使用舞美、灯光、音乐等虚实结合的演绎手段,都高水平地反映了现代西方戏剧在编排和表演中的巨大优势。《推销员之死》和紧接其后其他国外经典剧目在中国剧场的先后上演,极大地鼓舞和启发了我国的戏剧工作者,为20世纪八九十年代我国戏剧的发展注入了新的活力。In 1983,the renowned American playwright Arthur Miller successfully presented his masterpiece Death of a Salesman on the stage of Beijing People’s Art Theatre,which was a great cross-cultural display that exerted a significant impact on 20th century Chinese and foreign dramas.Whether it is the creative technique of“expressionism”or its comprehensive use of stage design,lighting,music and other performing means combined with the virtual and the real,they all reflect the great advantages of modern Western drama in arrangement and performance.The successive performances of Death of a Salesman and other classic foreign plays in Chinese theaters greatly inspired and enlightened Chinese theater workers by injecting new vitality into the development of Chinese drama in the 1980s and 1990s.

关 键 词：阿瑟·密勒 《推销员之死》 中美戏剧交流 经典戏剧 跨文化演出 

分 类 号：J897[艺术—戏剧戏曲]